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Figure 3. Transverse Section
Programme requires as input data: camera
constant, photographing station heights;
base value, W inclination angle, ( deflec-
tion angle, X,Y,Z coordinates of the con-
trol points. Files of the measured point
coordinates and X,Y/X,Z/Y,Z plane,having
details plotted to be used in rectifying,
drawn on a DZT plotter are output data.
Programme also requires to specify the
surface to be plotted, i.e. plane, cylin-
drical and/or double-spherical ones.
The cylindrical surface has known no res-
triction in its expanding, as there is a
true correspondence between the real and
expanding curves. A generatrix of the
cylinder and three points along the curve
are given to calculate the cylinder radius
needed as processing data.
The double-spherical (quadric) surface
having two directions perpendicular on
various spherical curvatures is established
by three marked points on each direction.
The expanding surface is a "broken plane
support" used to rectify the mural painting
photographs.
(c) A "Karto" programme has been used in an
automatic main mural painting contour plot-
ting. An automatic plotting configuration
consists of: "Kar A-2/MU" Cartometer coupled
to a IBM-XTPC compatible computer, having
a driver coprocessor with a minimum 720 KB
external storage. That programme uses Kar-
405
A-2/MU hardware facilities digitizing the
photograph, establishing U and V coordinates
of the four control points with X,Z coordi-
nates. The transforming and rectifying com-
putation programme establishes X,Z coordi-
nates of the digitized points located on
the main mural painting contours to be 1e-
gistered into a file. A DZT plotter could
be coupled to the system configuration to
draw the 1:10 scale plotted contours.That
programme has been also checked in the ar-
chitectural photograph plotting, using any
photographing plane as against the object
one. The same findings as those ones of the
analogical plotting have been got,showing
the same detail and accuracy.
3D REPRESENTATION
Cavalieri and isometrical perspectives have
been used to represent the church spatially.