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Nachweis und Bestimmung organischer Verbindungen (2. Band)

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fullscreen: Nachweis und Bestimmung organischer Verbindungen (2. Band)

Multivolume work

Persistent identifier:: 1670259072

Author:: Meyer, Hans

Title:: Lehrbuch der organisch-chemischen Methodik

Type of content:: Lehrbuch

Year of publication:: 1922

Place of publication:: Wien

Publisher of the original:: Verlag von Julius Springer

Identifier (digital):: 1670259072

Language:: German

Additional Notes:: Bände 1-3,2 erschienen von 1922-1940

Document type:: Multivolume work

Volume

Persistent identifier:: 1670273296

Author:: Meyer, Hans

Title:: Nachweis und Bestimmung organischer Verbindungen

Sub title:: mit 11 Abbildungen

Scope:: XII, 426 Seiten

Type of content:: Lehrbuch

DOI:: 10.14463/KXP:1670273296

Year of publication:: 1933

Place of publication:: Berlin

Publisher of the original:: Verlag von Julius Springer

Identifier (digital):: 1670273296

Illustration:: Illustrationen

Signature of the source:: a 368(2)

Language:: German

Usage licence:: Public Domain Mark 1.0

Publisher of the digital copy:: Technische Informationsbibliothek Hannover

Place of publication of the digital copy:: Hannover

Year of publication of the original:: 2019

Document type:: Volume

Collection:: Chemistry

Chapter

Title:: 517. p-Toluidin.

Document type:: Multivolume work

Structure type:: Chapter

Contents

Table of contents

Full text

  
ENCYCLOPAIDIA BRITANNICA. 
  
GOU— 
OUDA, or TEr GoUWE, a town of the Netherlands in 
the province of South Holland, at the confluence of 
the Gouw with the Yssel, 12 miles N.E. of Rotterdam, at 
the junction of the railway from that city with the line 
between the Hague and Utrecht. The town is for the most 
part laid out in an open and lightsome manner, and like the 
other towns of Holland is intersected by numerous canals. 
Portions of the old fortifications are changed into promen- 
ades, and the suburban quarters, Fluweelensingel, Bleekers- 
singel, Kattensingel, and Turfsingel, are adorned with fine 
trees. The Groote Markt is the largest market square in 
Holland. Among the churches—five of which are Pro- 
testant, two Roman Catholic, and one Old Catholic—the 
first place belongs to the church of St John (J anskerk), a 
building of the 16th century, which replaced an earlier 
structure of the 15th, and which is not only remarkable for 
its dimensions, 345 feet in length and 150 feet broad, 
but possesses a celebrated organ, and a series of splendid 
painted windows, several of which are the workmanship of 
Dirk and Wouter Krabeth (1555-1603). (Compare Zzx- 
planation of the Famous and Renowned Glass Work, &ec., 
Gouda, 1876, reprinted from an older volume, 1718.) Of 
the other public buildings it is sufficient to mention the 
bown-house, with a fine Gothic facade, founded in 1449, but 
rebuilt in 1690, the weigh-house, the houss of correction for 
women, the gymnasium, St Catherine’s hospital, and the 
music hall. A public library containing many rare and 
valuable works is kept in St John’s church, and a muni- 
cipal museum of antiquities was opened in 1874. In the 
time of the counts the wealth of Gouda was mainly derived 
from brewing and cloth weaving: about 1510, for example, 
the breweries numbered 156, and upwards of 1000 pieces 
of cloth were made in the course of the year; but at a later 
date the making of tobacco pipes became the staple trade, 
and in the middle of the 18th century gave employment to 
3000 men. Though this industry has in turn declined, 
Gouda still possesses large pipe works and potteries; and 
among its other establishments are a celebrated manufactory 
of stearine candles, a yarn factory, an oil refinery, and cigar 
factories, It has also a good transit and shipping trade, 
and its market for cheese has made its name widely known 
throughout Europe. The population of the commune was, 
mn 1796, 11,715 ; in 1830, 14,878 ; in 1850, 13,788 ; in 
  
GOU 
1860, 14,843 ; and in 1870, after a slight addition of area, 
16,233. At the last date the town proper numbered 15,174 
inhabitants. The greater proportion belong to the Dutch 
Reformed Church, but nearly 5000 are Roman Catholics. 
Gouda received its constitution as a town from Count 
Floris V. in 1272. 1In 1382 it had only 820 houses; but 
it rapidly increased, and in the 14th century it was 
the fifth in size of the towns of Holland. The rise of 
Amsterdam made it only the sixth; but it retained this 
position till the revolution of 1795. The principal facts 
in its history are the attack by the people of Utrecht in 
1488 ; the repulse of the Spaniards in 1574 ; the de- 
struction of the castle of the lords of Gouda in 1577 ; the 
voluntary flooding of the surrounding country as a defence 
against the French in 1672; the great inundation of 
November 1775 ; and the riots of 1787. 
GOUDIMEL, CLAUDE, composer of the 16th century, 
must be named amongst the founders of modern music. 
The French and the Belgians claim him as their country- 
man, and the place of his birth is not sufficiently established. 
In all probability, however, he was born at Vaison near 
Avignon, about the year 1510. As to his early education 
we know little or nothing, but the excellent Latin in which 
some of his letters were written prove that, in addition to 
his musical knowledge, he also acquired a good classical 
training. In 1540 we find him established in Rome at the 
head of a music-school, and here, amongst many other cele- 
brated musicians, Palestrina, the greatest master of the 
early Italian school, and one of the greatest masters of all 
schools, was amongst his pupils. About the middle of the 
century he seems to have left Rome for Paris, where, in con- 
junction with Jean Duchemin, he published, in 1555, a 
setting of Horace’s Odes, entitled, Horatis Flacci ode omnes 
quotquot carminum generibus differunt ad rhythmos musicos 
redactce. Infinitely more important is another collection 
of vocal pieces, a setting of the celebrated French version 
of the Psalms by Marot and Beza (Les Psaumes de David, 
mis en rvme Frangavse par Clement Marot et Théodore de 
Beze, mis en musique par Claude Goudimel), published in 
1565. It is written in four parts, the melody being 
assigned to the tenor. Some of the tunes were probably 
of popular origin, and they are still used by the French 
Protestant Church. Others were adopted by the German 
XL — 1

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