Full text: Actes du 7ième Congrès International de Photogrammétrie (Troisième fascicule)

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photograph with the eye, before which the red filter is held and the other eye 
(blue filter) sees only the red one (fig. VIT). 
So, since the combination has already been made by the printer, we have 
only to look with adapted eye glasses or filters to get the right stereoscopic image. 
It will always be necessary that the right eye only receives the image that 
normally is presented to the right eye when looking at the object as shown in 
fig. VIII. 
If we should change the photographs in a way that the left cye receives the 
image destined for the right and the right eye receives the image, destined for the 
left one, then all things are reversed. All intersections of rays that belong together, 
will give reconstructions which are opposite to normal; so we see points farther 
on that should be nearer and other points nearer, that should be at a greater 
distance. We call this pseudoscopic effect (fig. IX). 
With normal binocular vision we can never make any mistake, for it is the 
object itself that creates the right images in the right eye, and so at the right place. 
When looking without a stereoscope, it is not difficult to understand that 
we have the capacity of joining two stereo-photo's and getting a three-dimensional 
reconstruction, as if -we looked normally. But we have to remember that in this 
case the convergence of our eye-axes has to be incorrect, i.e. nearly parallel. 
In case that the printer has brought both images together in such a way that 
we can separate them for the construction of single retinal images, we know that 
be has created the same situation as when normally looking with two eyes and so 
the convergence is more or less normal. 
Still we see considerable difference between a normal binocular image and 
the three-dimensional image when seeing vectographs or anaglyphs. The differ- 
ence is that when normally seeing, the object itself is in the place of the mental 
reconstruction that the brain makes of the object; it is as if the object hides in the 
image and does its work again and again by sending rays to our retina at the same 
time that our brain is giving the reconstruction. When seeing a vectograph or an 
anaglyph, we see the mental three-dimensional reconstruction, but now the object 
itself is not there; our image only consists of a veil of intersecting points of rays. 
In binocular vision that results in our mental reconstruction lying on the 
object itself and being unable to pass that object, while the mental three-dimen- 
sional reconstruction of the object by vectographs or anaglyphs is not brought to 
a standstill by the object itself and so we see it over and through tables, paper and 
other things. That is the difference. 
It is as if in the first case our reconstruction is materialized, whereas in the 
second case it is quite unmaterialized. 
But what about the stereoscopic image we get when looking through a 
stereoscope? 
The stereoscope is nothing more than an instrument that helps to bring our 
eye-axes more or less parallel, but always in such a position that we have our 
object as in fig. IV c. We already know what must be the result. 
All constructions of stereoscopes follow the same principle, whether they have 
magnifying glasses, mirrors to enlarge our eye base, or not. The only thing that 
is interesting is that the eye-axes have an intersection that does not lie on the 
combined objects themselves, but at a much larger distance (fig. IVc). 
So again double images have to appear and it is only the place where the 
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