4. Module of Orthophoto Generation
At this point, generation of an orthophoto comes about fairly
easily: for each pixel of the empty image (the future
orthophoto) the x,y,z co-ordinates are known. These co-
ordinates and the DLT parameters give the pixel corresponding
to the non-metric image. The radiometric value of this pixel is
transferred to the empty image.
= JO] x]
Z iniziale lunghezza . altezza passo
[os ^ [250 au | [i300 — [1390 — [oon [Ezio [0.3693 [sim ini Load DTM
‘mir Ymas —À xmmeg | vimnag GetXYZ || — Othe
| 1.000 [170141638 Auto Y | Aggioma | La I | [ eece expDTMrot | Save orthoimm
Figure 11: Ortophoto referred to the columns plane (plane I)
In addition to generating the digital orthophoto, the depth of the
pixel is memorised, in other words, the Z co-ordinate with
respect to the XY reference plane. The result is an orthophoto
where for each pixel, the value of the third dimension is known.
The advantages of the metric orthophoto on the plane and the
digital model of the heights are joined: it is possible to measure
distances on the projection plane as well as in space.
In order to check the final concordance of the information
processed, the software enables simultaneous identification of a
single point in three windows: ortho image, laser image, non
metric image.
The test
Collaboration with INOA (Istituto Nazionale di Ottica
Applicata), has permitted evaluation of the application of
optical techniques in the three-dimensional reconstruction of
objects having significant historic and artistic interest, at
different scales and with different purposes: from the survey of
wooden matrices using conoscopic holography to survey of
statues or portions of architectures by using different laser
techniques.
From analysis of the experiments conducted by other research
teams, from the expertise of the authors in the field of survey of
monumental objects, and the knowledge of the INOA in the
field of laser scanning of works of art, we have reached a
definition of a TOF laser prototype with technical
characteristics very comparable to the instruments currently on
the market.
In the definition, we made a series of design and operating
premises. The instrument works like a theodolite and therefore
like this instrument, it must be equipped with a system of
adjustments able to rectify and put them in range. Included in
the realisation of the instrument are a striding level, a tribrach
with bull’s-eyed bubble and the mechanical adjustments
necessary to achieve the intersection and the diagonality of the
three fundamental axes of the system with precision comparable
to the precision given by theodolites.
Experimentation was conducted in the Michelozzo courtyard of
the Palazzo Vecchio, in Florence, comparing the prototype to
—306—