Full text: XIXth congress (Part B5,1)

  
Beutner, Sabine 
  
5 CONCLUSIONS 
We have reported here about the current processing stage of the project. The block Palpa is fully processed, the 
geoglyphs and other items of archeological interest are extracted and modeled in 3-D. A conceptual data model has been 
developed which waits for implementation on a GIS platform. Since high quality of the results in terms of accuracy and 
completeness is required, we could not rely on any automated procedures for processing, neither for triangulation nor for 
DTM generation or feature extraction. However, we used cutting edge photogrammetric technology wherever feasible, 
The produced datasets are extensive, the Palpa texture map alone absorbs 2 GB and we find great difficulties with real- 
time visualization. 
The block San Ignacio is currently in work. The pampa of Nasca ranks third on our list of priorities. 
It is much too early for any conclusions concerning the purpose of the geoglyphs and we wish to stay away from any 
speculative statements. A few facts however can already be derived from the existing data: 
* In general the geoglyphs are not of very high geometrical precision. Thus the production cannot be considered a great 
engineering achievement. 
* Geoglyphs are overlaying each other. Therefore the builders were not very respectful of previous works. Aveni, Sil- 
verman, 1991, state very appropriately that some areas look like an “... unerased blackboard at the end of a busy day 
of class". 
* There is a strong relation between density of geoglyphs and closeness to settlements. Physical convenience was 
surely an issue for the builders. 
* Geoglyphs are located where topography admits. There is a strong correlation between geoglyphs and topography. 
Geoglyphs are crowded in vast, flat areas and on smooth slopes. 
* Where accessible, geoglyphs deteriorate nowadays very quickly through human disrespect, intervention and vandal- 
ism. 
These facts should be considered when any of the prevailing hypotheses is evaluated. The purpose of the geoglyphs of 
Nasca, Peru still remains a mystery. These signals in the sand, laid out by ancient civilizations, will continue to puzzle 
scientists, esoterics and unprejudiced tourists. 
ACKNOWLEDGEMENTS 
We are grateful for the financial support given by SLSA (Swiss-Liechtenstein Foundation for Archeological Research 
Abroad) and ETH Zürich and the cooperative efforts of Rietberg Museum, Zürich. We also thank J.-C. Brossard, A. 
Desiderio, K. Lambers, Z. Parsic, F. Remondino and J. Visnovcova for their contributions to this project. 
REFERENCES 
Aveni, A. F. (Editor), 1990: The Lines of Nasca. Memories of the American Philosophical Society 183, Philadelphia 
Aveni, A. E., Silverman, H., 1991: Between the lines. Reading the Nasca markings as ritual writ large. The Sciences, The 
New York Academy of Sciences, July/August 
Däniken, E.v.,1970: Return to the stars. Souvenir Press, London 
Dàniken, E.v.,1997: Zeichen für die Ewigkeit. C. Bertelsmann Verlag GmbH, München 
Grün, A., 1999: Photogrammetrische Aufnahmen der Geoglyphen von Nasca, Palpa und San Ignacio. Herausgegeben 
vom Museum Rietberg Zürich anlässlich der Ausstellung "Nasca-Geheimnisvolle Zeichen im Alten Peru" 
Grün, A., Brossard, J.-C., 1998: Photogrammetrische Kampagne Nasca/Palpa 1997. Jahresbericht SLSA 1997, Zürich 
und Vaduz, S. 163-168 
Hadingham, E., 1987: Lines to the Mountain Gods. University of Oklahoma Press, Norman and London 
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Kosok, P., Reiche, M., 1949: Ancient Drawings on the Desert of Peru. Archeology 2 (4), S. 206-215 
  
60 International Archives of Photogrammetry and Remote Sensing. Vol. XXXIII, Part B5. Amsterdam 2000. 
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