Full text: Proceedings, XXth congress (Part 5)

   
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International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol XXXV, Part B5. Istanbul 2004 
  
5. REFERENCES 
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Paraform, 2004, http://www.paraform.com 
Pollefeys, M., Van Gool, L., 2002, From Images to 3D models, 
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Sederberg, T. W., Parry, S., 1986. Free-Form Deformation of 
Solid Geometry Models, Proceedings of SIGGRAPH 86, 
Computer Graphics, Annual Conference Series, pp. 151-160. 
Vandeput, L., 1997a, An Antonine nymphaeum to the north of 
the Upper Agora at Sagalassos, In: Sagalassos IV. Report on 
the survey and excavation campaign of 1994 and 1995 (eds. M. 
Waelkens and J. Poblome), pp. 385-400, Leuven University 
Press. 
Vandeput, L., 1997b, The architectural decoration in Roman 
Asia Minor, A case study: Sagalassos, In: Studies in Eastern 
Mediterranean Archaeology I, Brepols Publishers. 
Van Gool, L., Tuytelaars, T., Ferrari, V., Strecha, C., Vanden 
Wyngaerd, J., Vergauwen, M., 2002. 3D modeling and 
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Waelkens, M., Degryse, P., Vandeput, L., Loots, L., Muchez, 
Ph., 2003, Polychrome architecture at Sagalassos (Pisidia) 
during the Hellenistic and Imperial period against the 
backgraound of Greco-Roman coloured architecture, in: 
L.Lazzarini (ed.), Interdisciplinary Studies on Ancient Stone 
(Asmosia VI. Proceedings of the Sixth International 
Conference. Venice, June 15-18 2000, Venice. 
Zalesny, A, Auf der Maur, D. Van Gool, L., 2001, 
Composite Textures: emulating building materials and 
vegetation for 3D models, VAST2001, Virtual Reality, 
Archaeology, and Cultural Heritage, Heraklion. 
ACKNOWLEDGEMENTS 
The authors gratefully acknowledge support by the EC 5 FP IST 
project ‘3D MURALE’ and the 6 FP NoE ‘EPOCH”, the GOA 
project ‘MARVEL’ granted by the University of Leuven 
Research Council, and the Swiss National Fund project 
‘ASTRA’. The excavations and physical reconstruction of the 
Antonine nymphaeum was generously funded by the Baert- 
Hofman fund and made possible by support of the General 
Directorate of Antiquities of Turkey, which granted a 
permission to work on the site of Sagalassos. The authors also 
thank the other members of the team who have made the 
creation of the virtual nymphaeum possible: Kurt Cornelis, 
Semih Ercan, Marc Proesmans, Lutgarde Vandeput, Desi 
Vanrintel, and Alexey Zalesny. Thanks also go to Axell 
Communications, for providing models of part of the statuary 
and the backdrop. 
  
   
   
  
   
    
  
   
     
     
    
   
   
    
    
  
  
  
  
  
    
  
   
    
   
   
  
  
  
   
   
     
    
    
   
    
    
   
  
    
  
  
   
   
   
   
  
   
  
  
  
  
   
  
  
   
  
  
  
  
   
   
  
   
   
   
   
    
  
  
  
  
  
  
  
  
 
	        
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