Full text: Proceedings, XXth congress (Part 5)

   
   
     
     
     
   
    
   
  
  
  
  
  
  
    
    
  
Figure 7. Perspective SW of the 3D model of the Oeiras mother 
church, rendered with rectified images 
5.6 3D Urban Model 
The steps to create a 3D urban model are shown in Figure 2. 
Data acquisition refers to the acquisition of the basic input, such 
as points and lines describing the roofs of buildings and a 
Digital Terrain Model (DTM). These are extracted/produced by 
means of photogrammetric restituion of aerial photographs. 
Modelling was done by surfaces with MicrostationJ. Figure 8 
shows the basic information projected onto the DTM. The 
surfaces representative of each wall are created afterwards. 
Rendering concerns mapping of textures using a rendering 
algorithm. To make the model realistic, the textures are made 
with rectified images of the facades of the objects. The 
rendering algorithm used allows to add to the model some 
caracteristics such as ilumination, transparency and colour. 
Figure 9 shows a part of the 3D model of the Ociras mother 
church after rendering. 
Basic Information 
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Projection onto the DTM 
  
  
  
  
  
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Surface Creation 
Front (corner 1, 2, ...) 
Right (corner 1, 2, ...) 
Left (corner 1, 2, ...) 
  
  
  
  
  
Figure 9. Part of the 3D model of the Oeiras mother church and 
its surroundings 
5.7 Visualisation 
Visualisation is a complement to the architectural archive, as a 
means of divulging it. In addition to the various images that 
    
   
  
   
    
  
  
   
   
    
    
   
     
   
    
    
   
    
   
    
     
    
  
   
   
    
   
   
International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol XXXV, Part B5. Istanbul 2004 
may be extracted to visualise results, animations were created 
with Microstation. These are walk-throughs around the church 
and its surroundings, which were recorded on a CD, integrated 
with other products such as the recorded facades, the 3D urban 
model and information about the Oeiras church history. 
5.8 Comparative Analysis- Stereoscopic Photogrammetry 
versus Monoscopic Photogrammetry 
The comparative analysis between the two photogrammetric 
techniques was carried out by computing statistical values for 
the residuals between the coordinates of the points measured by 
the referred techniques and those of the control points. À total 
of 100 control points were chosen randomly and their 
coordinates measured with precise topographic techniques. The 
points were measured on images acquired with the different 
cameras (Table 2). The computed statistical values refer to the 
Root Mean Square Error (RMSE), the standard deviation and 
the maximum and minimum residuals (in X, Y and Z). Because 
of apparent incompatibilities between the digital metric Rollei 
camera and the photogrammetric workstation, which require 
further investigation, Table 3 lists only the values computed for 
the metric camera Leica RS and the stercoscopic technique. 
  
  
  
  
  
  
Leica R5 
X Y Z 
(em) | (em) | (em) 
RMSE 2,3 2,43 4,0 
Standard Deviation | 2,1 2,4 4.0 
Maximum Residual | 5,4 6,1 6,5 
Minimum Residual -5,6 -5,2 -5,7 
  
  
  
  
  
  
Table 3. Statistical results for the residuals obtained with a 
metric camera and the stereoscopic photogrammetry 
(ImageStation SSK Pro) 
Tables 4a and 4b list the results for the monoscopic 
photogrammetry using all the cameras, and Table 5 shows 
which comparisons were carried out between the results 
obtained with the different cameras and photogrammetric 
techniques. These comparisons involved two statistical tests, 
i.e., the Student-t test and the F-test. Whilst the former allows 
comparison of means, the latter permits comparison of 
variations. 
  
  
  
  
  
  
  
Rollei Nikon 
X Y 7 X Y Z 
(cm) (cm) (cm) (cm) (cm) (cm) 
RMSE 1,5 1,6 1,56 2,3 2,4 23 
Standard Ls 1,6 1,5 2.3 2,4 2.3 
Deviation 
Maximum 3.1 2,9 3,5 4,3 4,1 4,0 
Residual 
Minimum -3,6 -3,4 -2,5 4,2 -4,0 -3,9 
Residual 
  
  
  
  
  
  
  
Table 4a. Statistical results by using PhotoModeler and the 
digital cameras Rollei and Nikon 
   
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