Architecture 7
Urban-rural
ee DIT
Landscape LÀ
Fig 1. construction of the field
of the living world
data files were then analyzed and calculated
according to the mathematical model of the lield
landscape elements to createa series of field
landscape information files. The perceptional
data of field were then analyzed and evaluated
to create a series of the output drawings similar
to those frequently generated from data files
created by digitizing the topographic and other
natural resources data sources. As a part of
this study, the author generated a software,
which creates the desired three-dimensional model-
ing framework, conducts necessary analysis and
produces graphic output. One of the final results
of this study was creation of a field landscape
information system.
2. The Synthetical Framework of Theoretical
Analysis of the Field Landscape World
2.1 The construction of the framework
As shown in the Figure 2, the framework, with
the combination of subject and object as its
foundation, has revealed us the layers of field
landscape subjective and objective information.
The primary elements of the field landscape con-
cepts have formed a basic structure of this frame-
work. The field landscape finds its time-space
existence in terms of the four basic elements
in the framework: view, viewfield, viewplace,
and vieworder, each of which is made up of its
interacting elements of subject and object contain-
ed. According to the order of view-viewfield-
viewplace-vieworder, the time-space interval
for field landscape existence is narrowing, the
information density is increasing down the levels
and the time-space limitation is intensifying.
The view is time-space existence of interacting
elements of scenic and scenery of the field.
Its time-space scope ranges from the galaxies
millions of light-years beyond to a blooming
flower nearby. It is formed mainly through the
perception of transculture and the two-dimentional
form, shade and color. The viewfield is a time-
Space existence of interacting elements of sight
and prospect of the field. its time-space is
confined, at the object axle, by the differences
of regional culture and the development of his-
torical tradition. The viewplace is a time-space
existence of the interacting elements of nature
environment and image situation of the field.
Its time-space scope is confined, at the object
axle, by the field Jland-scape variation such
as the alternation of seasons, range of terrain
and depth of range, and at the subject axle,
by the local history, popular legends and deep-
going experience. The vieworder is a time-space
existence of the interacting elements of man-
made environment and yi-jing. Its time-space
scope is confined by the following elements:
at the object axle, there are space-limitation,
time-change, space-depth and time-sequence; at
the subject axle, the literary meanings, ideology
and myth are implied in a man-made environment
gardens and scenic spots, latent experience and
time-space aesthetics. The four layers from view
to vieworder emphasize the field engineering
of the following four respects: visual environment
quality analysis and control of the field; field
landscape resources assessment and investigation;
field landscape perception evaluation (landscape
kuang-ao ranking) and landscape area and urban
space planning; field landscape time-space percep-
tion arrangement,
2.2 The relationship between the subjecive ele-
ments and the objective elements
At the level of "view", what the subjective
perception mainly concerns is the evaluation
of the field landscape, that is transculture,
temperary and deviate to the satisfaction of
the visual which is devided into the perception
about shade (S') such as complexity or unity
and the psychological perception about color
(C') such as quiet or vivid, cold or warm. So
the perceptional information S' and C' can be
collected through the transformation of the ob-
jective information of shade (S) and color (C)
according to the functions established: S'-f(S)
and C'=E(C).
transculture------ Scenery------ view----- scenic------ shade & color
1!
91 8,
development differences
of historical--of | | ---——— prospect---viewfield---sight--- field---environment
tradition regional range change
culture
n ' '
1, 5, 55 T,
deepgoing popular local image nature range landscape depth: of
experience-legends-history--situation--viewplace--environm--of----varitation--range
-ent terrain
n . § 1 '
D, 1 Sy Sg T D;
time-space-latent ———ideology-literary-— yi-jing-view-order--man-made--space — time —space — time
aesthetics experience myth meanings environm limita- change depth sequence
-ent tion
1 ' 1 '
0, D, T. S, S, T D, 0,
field
aesthetic field landscape literature and arts--- landscape ---field landscape environment sciences
Fig.2 The synthetical framework of theoretical analysis and evaluation of field landscape
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