L70 INTERNATIONAL CONGRESS OF EDUCATION.
there is light at the end, but in the middle there is nothing but darkness.
Surely, every student must have been through a good many of those
cunnels. He must have mastered German as a scientific instrument ; as a
key to vast stores of historical and philological knowledge ; and in that
sense (ferman is required from our candidates to all the higher degrees in
history, philology, or philosophy. But again, the structure of the French
mental eye is such that it cannot live for a long, continuous period in
shose tunnels, make its usual abode in them, without danger to its own
peculiar native faculties.
On the contrary, between the average English process of thought and
the French methods, the differences of thought are but slight. Whether
this is due to the Celtic element in the English blood, or to the Norman
conquest, or to the combined influences of the French writers in England
it the end of the seventeenth century, and of the English writers in
France in the middle of the eighteenth, is not a question which I can
anter upon now. But such writers as Addison, Swift, Pope, Hume, Gib-
bon, Robertson, the best of the Edinburgh reviewers, also Macaulay and
Stuart Mill, belong to the classical and Latin type of thinkers. The
build of their sentences, the frame of their paragraphs, their mental
‘rains, constructions, and connections, are the same as ours. With these
writers a young French mind can live for years without any distortion of
his own national tendencies and personality.
The other great reason why English literature is now and will become
more and more in our universities the most important branch of foreign
studies is its superiority as a great literature. Only two other literatures
—the Greek and the French—have had the same range, the same width,
she same variety, and, especially, the same continuity of development.
Other literatures—the Latin, the German, the Italian—are broken by
long gaps which stretch sometimes over several centuries. With a short
sclipse in the fifteenth, the English literature from Beowulf to Rudyard
Kipling covers an uninterrupted twelve hundred years, during which, in
poetry, in philosophy, in the drama, in history, in theology, in romance
and novel writing, through Langland, Chaucer, Ascham, Sidney, Spenser,
Shakespeare, Bacon, Hobbes, Milton, Addison, Swift, Thomson, Fielding,
Burke, Wordsworth, Shelley, Eliot, the Brownings, Carlyle, Tennyson,
and let me add also the names of Longfellow, of Edgar Poe, of Haw-
thorne, of Emerson, of Lowell, to mention only the great landmarks
which are planted along the tide of centuries, the Anglo-Saxon mind has
manifested itself and may be studied through all its variations, through
all the stages of its development. To the philosopher and to the his-
sorian this is one of the most complete experiments which nature has
carried on, and one of the fields which afford the best opportunities for
minute and connected observation.
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