IMAGE-BASED 3D MODELING OF THE ERECHTEION, ACROPOLIS OF ATHENS
Fabio REMONDINO U2 ’ *, Sabry EL-HAKIM 3 , Emmanuel BALTSAVIAS *, Michel PICARD 3 , Lazaros
GRAMMATIKOPOULOS 4
1 Institute of Geodesy and Photogrammetry, ETH Zurich, Switzerland- (fabio, manos)@geod.baug.ethz.ch
2 3D Optical Metrology Group - Centre for Scientific & Technological Research (IRST), Foundation B. Kessler, Trento,
Italy
National Research Council Canada, Ottawa, Canada - (Sabry.El-Hakim, Michel.Picard)@nrc-cnrc.gc.ca
4 Elliniki Photogrammetriki Ltd. (Elpho), Athens, Greece - lazaros.pcvg@gmail.com
Commission V, Special Session SS-19: Recording and documenting the Acropolis of Athens
KEY WORDS: Image-based Modeling, Photogrammetry, Matching, Cultural Heritage, Erechteion, Athens Acropolis
ABSTRACT:
In this contribution, we report on the image-based modeling (IBM) results of the Erechtheion monument, located inside the
Acropolis of Athens, Greece. The work is part of the project “Development of Geographic Information Systems at the Acropolis of
Athens“. An aim of the project is the 3D documentation of the whole Acropolis, one of the major archaeological sites world-wide
included in the UNESCO World Heritage list. The largest part of the monument was digitised with laser scanning, while the main
objective of IBM was to model difficult-to- access areas not covered by the scanner but also for comparison with laser scanning for
scientific investigations. For the 3D modeling, as the Erechtheion contains some typical architectural elements (like columns, flat
walls, etc), some manual measurements were necessary. On the other hand, for some detailed areas automated approaches for dense
surface reconstructions are applied. For these parts we compared the image matching results with the surfaces coming from a laser
scanner.
1. INTRODUCTION
The digital documentation of cultural heritage monuments and
sites is receiving great attention in the last decade and 3D
modeling of objects or sites is one of the main research topics in
this field. The employment of computer technology to create
digital archives of cultural heritage and artistic objects with
different characteristics and dimensions (monuments,
archaeological sites or finds, architectural features, etc.) is due
on one hand to the availability of new technologies for
digitalization and investigation purposes and, on the other, to
the increased interest of archaeologists and restorers to find an
advanced system able to provide innovative investigations and
documentations.
two methodologies are also integrated within the project but in
this contribution we only report about the image-based 3D
modeling of the Erechtheion monument.
We present and discuss the problems and challenges of data
capturing, processing and model generation when dealing with
a large complex structure with data acquisition under time
constraints and adverse conditions.
1.1 Brief historical background
The following description of the Erechteion story is based on
the WEB site of the Greek Ministry of Culture
(http://odysseus.culture.gr/h/2/eh251 ,jsp?obj_id=973).
Indeed, many improvements have been done in the generation
of digital models of monuments and artifacts, using range
sensors or IBM. But there are still a lot of open questions arid
problems in deciding which technique should be employed in
which situation. While in the past years, when high level of
detail was required, range sensors were usually preferred to
image data, nowadays, due to the considerable algorithm
improvements and increase of automation in the image-based
modeling process, the digitization of cultural heritage based on
close-range photogrammetry is a viable alternative.
This work is part of the project “Development of Geographic
Information Systems at the Acropolis of Athens“ (Moullou and
Mavromati, 2007). Within this project, one of the aims is the
generation of a textured, high-resolution, accurate 3D model of
Erechtheion and a respective movie. The work is done in
parallel with image and range data (El-Hakim et al., 2008). The
Erechtheion (Figure 1) was erected in 421-406 BC as a
replacement of an earlier temple dedicated to Athena Polias, the
so-called “Old temple”. Its name derives from Erechtheus, the
mythical king of Athens, who was worshipped there. The
building owes its unusual shape to the irregularity of the terrain
- there is a 3m difference in height between the eastern and
western parts - and the multiple cults it was designed to
accommodate. The sanctuary also contained the grave of
Kekrops and the traces of the dispute between Athena and
Poseidon for the possession of the city of Athens. The temple
was made of Pentelic marble, the frieze of Eleusinian grey
stone with white relief figures attached to it and the foundations
of Piraeus stone. On its east side, an Ionic portico with six
columns sheltered the entrance to the east part of the building.
On the north side is the entrance to the west part of the building,
sheltered by a pi-shaped propylon with four Ionic columns
Corresponding author.
1083
'■yfiI'»'è IfM1'
..At • ■/•■.L - V wS w''t':>■ *0'
■